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Iris & B. Gerald Cantor Foundation / News  / Iris Cantor and Rodin’s “Danaid”

Iris Cantor and Rodin’s “Danaid”

Danaid #1600[2]

In the September-October 2013 issue of Fine Art Connoisseur magazine, essayist and poet David Masello asked art collectors about the details in paintings and sculpture they find intriguing.  Iris Cantor, President and Chairman of the Cantor Foundation, replied with an explanation of what she loves in Rodin’s Danaid:

Some of Rodin’s greatest gifts that set him apart from his contemporaries were his storytelling ability, and his break from his conservative colleagues’ traditional poses. These established Rodin’s reputation in France and then the world. One of my favorite examples is Danaïd. I was first attracted to the sculpture by the woman’s beautifully expressive and sensual back. Then I researched and uncovered the story behind the piece. I was surprised and shocked by the terribly tragic Greek myth. The daughters of King Danaus murdered their husbands on their wedding night and were damned to collect water in broken urns that could never be filled, for eternity. Rodin exposed the woman’s torture and agony throughout the sculpture, proving that he could make a back as meaningful and passionate as a face. As you walk around the work, the shifting light on the surface gives movement to the grieving woman, and her intense emotion can be experienced from every angle. 

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